Tag Archives: 35mm

Wings (1927)

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The 2012 restoration of Wings (1927) is a mixed bag. The color work is beautiful. Ben Burtt’s sound effects really work. However, that all goes to waste due to the overprocessing.

This weekend, the Vista is running a 35mm print of this version. It uses the new sound track, but the print is three seconds out of sync. All the things that were gnawing at me when I first watched the BD are visible in 35mm: frozen cloning, interpolation, microloops. and terrible grain. Grain varies from shot to shot, but, for the most part, it’s smeary.

Clipped directly from the BD. Check out that magnetic grain!
Clipped directly from the BD.
Huge smeary retouching.

I still dislike the new arrangement of J. S. Zamecnik’s score. Too cheery, with excessive chimes. The recording lacks so much personality, that I thought it was mostly electronic. I was shocked when I saw the credits. This is perhaps the largest American recording of a score for a silent in over 20 years! If only the studios put in half as much effort into their silents as Paramount did for Wings.

The Little Mermaid (1989)

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Yesterday, the Academy Museum ran an original print of The Little Mermaid (1989). A very rare treat. I think the last time it ran in 35mm in Los Angeles was about 20 years ago at LACMA.

A few things struck me. It is VERY grainy and much of the movie has a haze over it, sometimes quite strong. Even the end credits—the blue lettering bloomed into the black.

Most surprising to me was that Ariel’s hair is red-orange, not red. It had been so long since I last saw the movie that I had come to think it was red.

There’s a nice comparison here, comparing the new UHD to the previous BD. In every instance, the UHD color is too saturated and seriously goosed. The BD more closely looks like the print I just saw. The colors were vibrant for the time, but duller than we’re used to seeing nowadays.