Tag Archives: Retouching

The Unknown (1927, Criterion)

Broken frame rate

Criterion transferred The Unknown at a little under 23fps and encoded at 1080i. The motion should be perfect, right? Wrong! Somebody messed up and used a 24fps timeline, then exported at 1080i60. Notice how the motion stutters in the top sample below. The whole reason to use 1080i is to prevent that!

After deinterlacing, we can easily see the uneven, broken pulldown, worse than most silents authored at 24fps. Below screenshot is of a tool I wrote to help delete duplicated frames. What you see on the right is a long list of frame numbers. All frames highlighted in red are duplicates and can be safely deleted.

Encoding silents to 1080i60 applies its own unusual pulldown. So, the result of working in 24fps and exporting at 1080i60 is that two different pulldown patterns compounded to create terrible stuttering.

Poor retouching

Frozen cloning doesn’t match:

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Mobile Suit Gundam (1979, Right Stuf)

Grain Removal

De-grained by Q-Tec. The de-graining itself is kind of impressive. It leaves a significant amount of cel dust, film dirt, and doesn’t really destroy lines. In a way, it’s less destructive than many “faithful” restorations.

However, Q-Tec failed to de-grain every frame. For almost every shot, the first and last frames have intact grain. Shots begin with grain, but then melt into smeariness. It’s as if it constantly goes in and out of focus. Going from grain to no-grain also looks a lot like interpolation.

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Pioneers: First Women Filmmakers (Part 2)

For part 1, click here.

Disc 2 is a lot better, but not without errors.

Hypocrites

Pulldown error. Corrected to 60fps.

Sunshine Molly

Pulldown error. Corrected to 60fps.

Too Wise Wives

Microloop. Clipped directly from the BD.
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Pioneers: First Women Filmmakers (Part 1)

Kino’s set is a mixed bag. Some movies look great. Others are restored to death. I’ll be focusing on the latter. I give lots of examples, but this post is by no means comprehensive.

Mixed Pets (1911)

Editing error:

Corrected to 60fps

Frozen, splotchy, misaligned cloning. Terrible in every way:

Some shots are untouched, but frozen cloning is pervasive:

Intertitles look super fake, but this one has an erroneous line peeking through:

Processed by Library of Congress and Dayton Digital Filmworks.

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Madame Dubarry (Kino)

Some pretty ugly repairs-frozen cloning, interpolation, microloops-but they’re not pervasive. For the most part, though, it’s not excessively processed. Grain is intact and it looks ok. Given that the final result still has lots of damage, the repairs were a waste of effort.

Misaligned, frozen cloning:

Wall texture retouched to oblivion:

Nearly a freeze frame:

Interpolation and disappearing rope:

Madame Dubarry is transferred mostly at 20fps and encoded at 24fps.