De-grained by Q-Tec. The de-graining itself is kind of impressive. It leaves a significant amount of cel dust, film dirt, and doesn’t really destroy lines. In a way, it’s less destructive than many “faithful” restorations.
However, Q-Tec failed to de-grain every frame. For almost every shot, the first and last frames have intact grain. Shots begin with grain, but then melt into smeariness. It’s as if it constantly goes in and out of focus. Going from grain to no-grain also looks a lot like interpolation.
Kino’s set is a mixed bag. Some movies look great. Others are restored to death. I’ll be focusing on the latter. I give lots of examples, but this post is by no means comprehensive.
Mixed Pets (1911)
Editing error:
Corrected to 60fps
Frozen, splotchy, misaligned cloning. Terrible in every way:
Some shots are untouched, but frozen cloning is pervasive:
Intertitles look super fake, but this one has an erroneous line peeking through:
Processed by Library of Congress and Dayton Digital Filmworks.
Some pretty ugly repairs-frozen cloning, interpolation, microloops-but they’re not pervasive. For the most part, though, it’s not excessively processed. Grain is intact and it looks ok. Given that the final result still has lots of damage, the repairs were a waste of effort.
Misaligned, frozen cloning:
Wall texture retouched to oblivion:
Nearly a freeze frame:
Interpolation and disappearing rope:
Madame Dubarry is transferred mostly at 20fps and encoded at 24fps.
The 2012 restoration of Wings (1927) is a mixed bag. The color work is beautiful. Ben Burtt’s sound effects really work. However, that all goes to waste due to the overprocessing.
This weekend, the Vista is running a 35mm print of this version. It uses the new sound track, but the print is three seconds out of sync. All the things that were gnawing at me when I first watched the BD are visible in 35mm: frozen cloning, interpolation, microloops. and terrible grain. Grain varies from shot to shot, but, for the most part, it’s smeary.
Clipped directly from the BD. Check out that magnetic grain!Clipped directly from the BD.Huge smeary retouching.
I still dislike the new arrangement of J. S. Zamecnik’s score. Too cheery, with excessive chimes. The recording lacks so much personality, that I thought it was mostly electronic. I was shocked when I saw the credits. This is perhaps the largest American recording of a score for a silent in over 20 years! If only the studios put in half as much effort into their silents as Paramount did for Wings.
