Tag Archives: Paramount

The Cardinal (1936, Olive)

A nice example of how nice the picture can look when you don’t filter out all the grain and fine scratches. Yes, there’s a lot of damage, but it’s clear and sharp.

However, the technicians couldn’t resist repairing it. A light touch overall, but if you look closely, there’s frozen cloning, interpolation, and microloops throughout. Worst hit are the opening titles and the climactic confrontation.

Dissolving, interpolated damage moves at a slow frame rate:

Screen tearing:

Frankly, with all the age-related damage, most repairs are easy to miss. However, the following scene got the works, with a flurry of obtrusive repairs that made me “yuck” out loud. The full shots look terrible in motion.

Interpolation:

Almost a freeze frame:

Wings (1927)

The 2012 restoration of Wings (1927) is a mixed bag. The color work is beautiful. Ben Burtt’s sound effects really work. However, that all goes to waste due to the overprocessing.

This weekend, the Vista is running a 35mm print of this version. It uses the new sound track, but the print is three seconds out of sync. All the things that were gnawing at me when I first watched the BD are visible in 35mm: frozen cloning, interpolation, microloops. and terrible grain. Grain varies from shot to shot, but, for the most part, it’s smeary.

Clipped directly from the BD. Check out that magnetic grain!
Clipped directly from the BD.
Huge smeary retouching.

I still dislike the new arrangement of J. S. Zamecnik’s score. Too cheery, with excessive chimes. The recording lacks so much personality, that I thought it was mostly electronic. I was shocked when I saw the credits. This is perhaps the largest American recording of a score for a silent in over 20 years! If only the studios put in half as much effort into their silents as Paramount did for Wings.