Tag Archives: Blu-ray

Le Beau Mec (Altered Innocence)

Opening titles are very blurry and smoothed, as if de-grained and filtered to death. However, the video soon clears up and is generally very nice all the way to the end.

Clipped directly from the BD.

The notes say that the primary source is the original reversal negative, which looks like it could benefit from more physical cleaning. I’m fine with dirt, but there comes a point when I’m sitting in a theater watching a fine but dirty print, and I want to yell to its owner, “Clean your print!”

I complain, but I still prefer to see dirt instead of artifact-inducing temporal cloning.

There weren’t any repairs that made me stop the disc, but I did catch this spot where a frame was held for the duration of three extra frames:

Frame number in yellow.

Instead of freezing, I’d much prefer to edit the sound, see black frames inserted, or, best, see the original damaged frames.

The U.S. and the Holocaust (PBS)

“Approx. 6 hours,” says the back of the BD cover. Given that it’s made for TV, I took that to mean three episodes slightly under two hours each. WRONG. Each episode was well over two hours, totaling 400 minutes. That’s WAY over six hours! Knowing the accurate running time in advance is very important! This is easy to get right.

As to this blog’s obsessions, quality of archival footage is all over the place, but generally very good. However, since the video runs at 24fps, much of it stutters. Full-frame interpolation is common, along with occasional blurry motion. Working in 60fps would have been much better.

Magic Crystal (Vinegar Syndrome)

A light touch, but there’s so much damage, that it would’ve looked fine without any repairs. This is a bad restoration not because damage remains, but because the repairs are ugly, creating their own artifacts.

Interpolation:

Hideous interpolated eyes.

Interpolated spot repair. These scenes are over an hour into the movie. Up to this point, I wasn’t even noticing repairs bad enough to take notes until large areas of grain suddenly started warping as if due to terrible compression:

Frozen temporal cloning:

Opening and end credits use some other source, which looks like a recreation, de-grained and filtered to death. Check out that aliasing!

The included interviews use clips from this older, altered source. First, a sample from VS’s version:

Vinegar Syndrome BD

Now, this older version, clipped from the Wen Chao-Yu interview. No wires and no grain:

Previous release.

It could have been so much worse.

The Iceman Cometh (1973, Kino)

Another good transfer from the American Film Theatre series. Watching the long version, it’s fascinating to see the brutal editing they did to get it to three hours. The cut portions, unsurprisingly, don’t match particularly well, but the sound is consistent throughout. Very nice.

Clipped directly from the BD.