For part 1, click here.
Disc 2 is a lot better, but not without errors.
Pioneers: First Women Filmmakers (Part 2)
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Tag Archives: Kino
Pioneers: First Women Filmmakers (Part 1)
Kino’s set is a mixed bag. Some movies look great. Others are restored to death. I’ll be focusing on the latter. I give lots of examples, but this post is by no means comprehensive.
Mixed Pets (1911)
Editing error:
Frozen, splotchy, misaligned cloning. Terrible in every way:
Some shots are untouched, but frozen cloning is pervasive:
Intertitles look super fake, but this one has an erroneous line peeking through:
Processed by Library of Congress and Dayton Digital Filmworks.
Continue readingThe Iceman Cometh (1973, Kino)
Another good transfer from the American Film Theatre series. Watching the long version, it’s fascinating to see the brutal editing they did to get it to three hours. The cut portions, unsurprisingly, don’t match particularly well, but the sound is consistent throughout. Very nice.
A Delicate Balance (1973, Kino)
Looks great. No complaints.
Meyer from Berlin (Kino)
Very nice color scan of a tinted print. In rough shape, but grain looks natural and no restoration artifacting. No complaints about the encoding. Looks great!
I already had the Eureka release of The Oyster Princess (1919), so I didn’t watch Kino’s encode, but it has the same wonderful score.
Meyer from Berlin (1919) is transferred at 18fps and encoded at 24fps. From EYE Filmmuseum.