Tag Archives: Silents

The U.S. and the Holocaust (PBS)

“Approx. 6 hours,” says the back of the BD cover. Given that it’s made for TV, I took that to mean three episodes slightly under two hours each. WRONG. Each episode was well over two hours, totaling 400 minutes. That’s WAY over six hours! Knowing the accurate running time in advance is very important! This is easy to get right.

As to this blog’s obsessions, quality of archival footage is all over the place, but generally very good. However, since the video runs at 24fps, much of it stutters. Full-frame interpolation is common, along with occasional blurry motion. Working in 60fps would have been much better.

The Mikado (1939, Criterion)

According to the booklet, Criterion applied DVNR for grain reduction and they did their typical hiss reduction. Regrettable, but their work doesn’t have distracting repairs and looks natural overall.

Clipped directly from the BD.

1926 Promo

Looks amazing! Clear and sharp, with wonderful grain and a generous bitrate.

Clipped directly from the BD.

I Was Born, But… (Criterion)

Dammit, another upscale from Criterion! They are inconsistent in publishing bonus features and alternate versions in HD, and they never state on the box when they upscale. I even checked Blu-ray.com and DVDBeaver before buying (both said 1080p).

Screenshots make it look ok, but in motion, the aliased deinterlacing and DVD-era artifacting is obvious:

Clipped directly from the BD. Also contains microloop.
Clipped directly from the BD.

The movie is encoded at 24fps, but transferred slightly slower, resulting in random whiplash-inducing stuttering.

A Straightforward Boy

Clipped directly from the BD.

Restoration work is horrible:

Frame numbers in yellow.

Frozen temporal cloning looks terrible in motion. The pause in this video clip is due to the broken pulldown, not an error on my end:

Meyer from Berlin (Kino)

Very nice color scan of a tinted print. In rough shape, but grain looks natural and no restoration artifacting. No complaints about the encoding. Looks great!

Clipped directly from the BD.

I already had the Eureka release of The Oyster Princess (1919), so I didn’t watch Kino’s encode, but it has the same wonderful score.

Meyer from Berlin (1919) is transferred at 18fps and encoded at 24fps. From EYE Filmmuseum.

Madame Dubarry (Kino)

Some pretty ugly repairs-frozen cloning, interpolation, microloops-but they’re not pervasive. For the most part, though, it’s not excessively processed. Grain is intact and it looks ok. Given that the final result still has lots of damage, the repairs were a waste of effort.

Misaligned, frozen cloning:

Wall texture retouched to oblivion:

Nearly a freeze frame:

Interpolation and disappearing rope:

Madame Dubarry is transferred mostly at 20fps and encoded at 24fps.